Walking through the Metropolitan Area "World Maze', the audio gui…
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Strolling via the City "Civilization Labyrinth', the audio overview supplies accurate instructions for visitors.
Latest business news regarding Walking via the Metropolitan Area "People Maze', the audio guide gives precise instructions for site visitors.
In the Egyptian event area of the Metropolitan Museum of Art in New York, German vacationer Anna is standing still before a mummy from the 12th century BC - the label on the display screen only mentions "The Casket of Priest Nebmon", but does not state what type of blessing spells are inscribed on the hieroglyphics on the coffin; in the European paint area next door, Japanese pair is looking at Rembrandt's "The Night Watch", incapable to differentiate the "Baroque-style light and shadow" in the painting from the works of Rubens across the space. The audio guide in the interpreter's voice maintains repeating only "This is Rembrandt's work of art"; even better away in the Asian gallery, Center Eastern tourists are taking pictures of Ming Empire blue and white porcelain with their phones, yet they can't understand the Chinese cultural signs concealed in "Blue and Green Scroll Pattern", and can only sigh at the label "Made during the power of Emperor Xuande of the Ming Empire".
As the "ceiling of the world's galleries" with over 300,000 exhibitions covering 5,000 years of human people, the Metropolitan Gallery gets over 7 million abroad visitors every year. But also for these travelers from afar, visiting the Metropolitan Museum is extra like browsing a "social labyrinth" - social distinctions across worlds, the stress and anxiety of selecting from a large collection of exhibitions, and the experience problems in several situations. Typical directed tours either "talk in a general means without focusing", or "make use of jargon that is incomprehensible", or "lose connection when moving between exhibit halls". Yingmi, a firm with 16 years of experience in the audio guide industry, really did not intend to provide a one-size-fits-all option. Instead, based on the diversity of people, the complexity of the room, and the differences in tourists' requirements, it established a flexible and versatile audio trip option to help international visitors "find, comprehend, and bear in mind" in the vast collection of displays, really understanding the luster of human civilization
. The three "catches" that international site visitors usually come under when visiting the Metropolitan Gallery
The Metropolitan Gallery is not a regular museum - it "steps" Egyptian burial places, European royal residences, hui ma and Oriental gardens into the very same structure, with exhibitions ranging from the 3000 BC Sumerian pottery jars to modern art from the 20th century. The span and variety of the displays are so large that even many regional site visitors typically get shed. After going to, international site visitors often get stuck in three troubles, which can not be resolved by just "publishing more language tags":
1. Cultural distinctions: "Can see the signs, but can't comprehend the tale"
The exhibitions of the Metropolitan Museum have the "codes" of various people: the hieroglyphics on the Egyptian caskets, the patterns on Chinese blue and white porcelain, the geometric patterns on Islamic carpetings, and the symbolic components on European spiritual paints. These icons are often "acquainted however not comprehended" by foreign visitors. Traditional assisted scenic tours either just supply basic details, such as "This is a Qing Empire dragon bathrobe", but do not claim "Five-clawed dragons represent imperial power, and four-clawed dragons are for the aristocracy"; or force the association of travelers with acquainted cultures, such as explaining the geometric patterns on Islamic carpets as "Comparable to European mosaics", which rather misguides the cognition.
Extra problematic is the requirement of tiny language speakers - amongst the overseas visitors of the Metropolitan Gallery, the proportion of non-English and Spanish speakers surpasses 30%. Japanese, Arabic, and German vacationers, commonly doing not have corresponding explanations, can only "presume the tale" in front of the exhibits. A neighborhood New york city travel agency stats shows that yearly, complaints about the audio scenic tour at the Metropolitan Museum make up 65% of the responses from travelers who "could not understand the social icons", and many site visitors just remember "seeing a great deal of old points", however don't understand "what people these points represent".
2. Large collection: "Exhausted from the trip, can't understand the key points" The Metropolitan Gallery has more than 200 permanent exhibit halls.
If each display is seen for 3 mins, it would take 27 years to check out all the collections - international visitors generally have only 3-4 hours for their check out, and they are prone to "choice anxiety": should they first see the Egyptian mummies, or go to the European paint area? Which should they focus on, the Chinese porcelain in the Asian gallery or the Japanese ukiyo-e prints? The typical guided scenic tours either deal "sequential" courses, such as "1st flooring Egyptian gallery → 2nd floor European gallery → 3rd floor Eastern gallery", without recommending based upon the visitors' passions; or they clarify all the displays in each gallery, such as in the European paint location, from the Renaissance to the Impressionism, with excessive information making it challenging to remember, and ending up "exhausted however absolutely nothing bore in mind
More significantly, the rate of interests of various site visitors differ significantly: some visitors come particularly to picture Monet's "Water Lilies", yet are resulted in view half an hour of middle ages shield; some travelers wish to discover ancient Egyptian civilization, yet invest excessive time in the Greek event room.his "consistent explanation" makes it tough for international visitors to "order the bottom lines they want to see" within the restricted tim
3. Complicated scenes ： "Can't listen to, experience gets stu
"
The room scenes of the Metropolitan Museum are extra complex than imagined ： the Egyptian gallery has a dark below ground hall with dark lighting, making the text on the display boards difficult to review ； the floor-to-ceiling glass home windows in the European paint area reflect sunshine, hindering the screen of the guide gadget ； when crossing floorings or exhibition areas, the signal is commonly blocked by thick wall surfaces - after becoming aware of the Egyptian mummies in the 1st flooring gallery, when moving to the 2nd floor European gallery, the guide gadget suddenly ices up, and by the time it resumes, they have missed out on the history introduction of "The Broken Arm Venus" ； in the dark hall, changing the guide tool either causes pressing the wrong button and jumping to the incorrect content, or the display is too dark to see the procedure plainly, also the "time out" requires a long time to {find|discover|l
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These "scene {freezes|ices up}" {directly|straight} {interrupt|disrupt} the {visiting|going to|checking out|seeing} rhythm, {especially|particularly|specifically} for {foreign|international} {visitors|site visitors} {who|that} are {new|brand-new} to the Metropolitan {Museum|Gallery} and {unfamiliar with|not familiar with} the {routes|paths|courses}, {coupled|combined|paired} with an unsmooth {guided|directed|assisted|led} experience, they are {likely|most likely} to {fall into|fall under|come under} a "{tired|exhausted|worn out|weary} and {confused|baffled|overwhelmed}"
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{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|site visit
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II. Yingmi's {Solution|Service|Option|Remedy} ： "Not '{hardly|barely|rarely} {following|complying with|adhering to} {a template|a design template|a theme|a layout}', {but|however|yet} '{adapt|adjust} to the
cene'"
When Yingmi {designed|developed|created|made} the {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {plan for|prepare for} the Metropolitan {Museum|Gallery}, she {didn't|really did not} {start|begin} with {technical|technological} {parameters|specifications|criteria}, {but|however|yet} had the {team|group} {stay|remain|keep} there for {a full|a complete} week - {following|complying with|adhering to} {different|various} {national|nationwide} {tourists|travelers|vacationers|visitors} to {follow|comply with|adhere to} the {routes|paths|courses}, {recording|tape-recording|taping|videotaping} where {visitors|site visitors} {stayed|remained} the {longest|lengthiest} in which {types of|kinds of|sorts of} {exhibits|exhibitions|displays}, in which scenes they were most {confused|baffled|overwhelmed}, and which {civilization|world|people|human being} {symbols|signs|icons} they were most {curious|interested} {about|regarding|concerning}. {Finally|Lastly|Ultimately}, the {plan|strategy} {presented|provided|offered} was all {based on|based upon} these "{real|genuine|actual} {needs|requirements|demands}", without "one-size-fits-all" {equipment|devices|tools} {recommendations|suggestions|referrals}, {only|just} "{tailored|customized} {solutions|services|options|rem
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s}".
1. Collection {selection|choice|option} ： "Not 'cover {everything|whatever|every little thing}', {only|just} '{select|choose|pick} the {key points|bottom
ines}'"
For the "{choice|option|selection} {anxiety|stress and anxiety|anxiousness}" of the {massive|huge|enormous|large|substantial} collection, Yingmi's {plan|strategy} {doesn't|does not} {pursue|go after|seek} "{all-encompassing|all-inclusive|comprehensive} {coverage|protection|insurance coverage}", {but|however|yet} {helps|assists|aids} {tourists|travelers|vacationers|visitors} "{precisely|exactly|specifically} {locate|find|situate} their {interests|rate of interests|passi
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{Personalized|Customized|Individualized} {route|path|course} {recommendations|suggestions|referrals} ： The {plan|strategy} {will|will certainly} {recommend|suggest|advise} {different|various} {routes|paths|courses} {based on|based upon} the {type of|kind of|sort of} {visitor|site visitor} (art {lovers|enthusiasts|fans}, {history|background} {enthusiasts|lovers|fanatics}, {family|household|family members} {tourists|travelers|vacationers|visitors}) - for art {lovers|enthusiasts|fans}, it {recommends|suggests|advises} "European {painting|paint} {area|location} (Monet, Rembrandt) + {modern|contemporary|modern-day} art {area|location} (Picasso)" ； for {history|background} {enthusiasts|lovers|fanatics}, it {recommends|suggests|advises} "Egyptian gallery ({mummies|mommies}, {temple|holy place} {reliefs|alleviations}) + American gallery (Maya {civilization|world|people|human being})" ； for {family|household|family members} {tourists|travelers|vacationers|visitors}, it {recommends|suggests|advises} "{children|kids|youngsters}'s interactive {area|location} + Egyptian gallery ({exhibits|displays|shows} with {strong|solid} {visual|aesthetic} {impact|effect|influence})", each {route|path|course} is {marked|noted} with "{key|essential|crucial|vital} {exhibits|exhibitions|displays} + {recommended|suggested|advised} {stay|remain|keep} time", to {avoid|prevent|stay clear of} {tourists|travelers|vacationers|visitors} "{wasting time|losing time} aimlessly {browsing|searchi
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ng}".
{Key|Secret|Trick} {Exhibits|Exhibitions|Displays} Deep Dive: For the "{treasures|prizes} of the collection" of the Metropolitan {Museum|Gallery} (such as "The Broken Nefertiti", the {Temple|Holy place} of Dendara in Egypt, and the Yongle Imperial {Dictionary|Thesaurus} of China), the {explanation|description} {content|material|web content} {will|will certainly} be {more|much more|a lot more|extra} {in-depth|extensive|thorough|comprehensive}. {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} the {Temple|Holy place} of Dendara, it {will|will certainly} be {said|stated|claimed}, "This is {a gift|a present} from the Egyptian {government|federal government} to the {United States|USA}. It was {originally|initially} {located|situated} {beside|next to|close to} the Nile River and was {moved to|transferred to|relocated to} the Metropolitan {Museum|Gallery} to {avoid|prevent|stay clear of} being {submerged|immersed} by water. The {reliefs|alleviations} in the {temple|holy place} {record|document} the {ancient|old} Egyptian's sacrificial {rituals|routines}." {Instead of|Rather than|As opposed to} {simply|just|merely} {saying|stating|claiming} "This is {an ancient|an old} Egyptian {temple|h
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e}.".
Lightweight {Information|Info|Details} {Presentation|Discussion}: {Avoid|Prevent|Stay clear of} "{information|info|details} {bombardment|barrage}". Each {exhibit|exhibition|display}'s {explanation|description} is {controlled|managed|regulated} within 1-2 {minutes|mins}, {only|just} {focusing on|concentrating on} "{the most|one of the most} core civilizational {values|worths} + {the most|one of the most} {interesting|fascinating|intriguing} {details|information}" - {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} Monet's "Water Lilies", it {will|will certainly} {say|state|claim}, "Monet's eyes were poor in his later years, {but|however|yet} he {used|utilized|made use of} {colors|shades} to {express|reveal|share} the light and {shadow|darkness} of the {pond|fish pond} at {different|various} times. This is {a representative|a depictive} {example|instance} of Impressionism's '{capturing|catching|recording} the {beauty|charm|appeal|elegance} of the {moment|minute}'." {Don't|Do not} {talk|speak|chat} {too much|excessive|way too much} {about|regarding|concerning} art {history|background} {theories|concepts}, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {easily|quickly|conveniently} {grasp|understand|comprehend|realize} the {key points|b
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m lines}.
2. Scene {Adaptation|Adjustment}: "Not '{stacking|piling} {technologies|innovations|modern technologies}', {but|however|yet} '{solving|resolving|fixing|addressing} {problems|issues
roubles}'".
For the {complex|complicated|facility} spatial {scenarios|situations|circumstances} of the Metropolitan {Museum|Gallery}, Yingmi's {solution|service|option|remedy} {focuses on|concentrates on} "{solving|resolving|fixing|addressing} {practical|useful|functional|sensible} experience {problems|issues|troubles}". {Recommended|Suggested|Advised} scenario-based {solutions|services|options|re
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are:.
Dark Hall Scene Optimization: For {replicas|reproductions} of Egyptian {tombs|burial places}, European {medieval|middle ages} {exhibition|exhibit|event} halls, {etc|and so on}, the {recommended|suggested|advised} {explanation|description} {solution|service|option|remedy} is "{automatic|automated} light {sensing|noticing|picking up} +voice control" - The {screen|display} will {automatically|immediately|instantly} {brighten|lighten up} according to the light, the {buttons|switches} {will|will certainly} have a soft backlight, and {tourists|travelers|vacationers|visitors} can {operate|run} without {having to|needing to} stand close; it {also|likewise|additionally} {supports|sustains} voice commands, {for example|for instance|as an example}, "{Explain|Discuss|Describe|Clarify} this {mummy|mommy}", the system will {automatically|immediately|instantly} match the {content|material|web content}, {avoiding|preventing|staying clear of} "{fumbling|stumbling|messing up|screwing up} {in the dark|at night} to {press|push} {buttons|switches}" {in the dark|at night} {ar
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ion}.
Cross-Zone Signal {Stability|Security}: For the many {floors|floorings} and thick {walls|wall surfaces} of the Metropolitan {Museum|Gallery}, {traditional|conventional|standard|typical} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are prone to "{disconnection|interference} {across|throughout} {zones|areas}". The {solution|service|option|remedy} {adopts|embraces|takes on} 4GFSK anti-interference {technology|innovation|modern technology}, {setting|establishing} "signal {transition|shift|change} nodes" {between|in between} {exhibition|exhibit|event} halls, {so that|to ensure that|to make sure that} the signal will {automatically|immediately|instantly} {switch|change|switch over} when {tourists|travelers|vacationers|visitors} {walk|stroll} from the Egyptian {exhibition|exhibit|event} hall to the European {exhibition|exhibit|event} hall, without the {need|requirement|demand} to {manually|by hand} reconnect; for {group|team} {tourists|travelers|vacationers|visitors}, the {recommended|suggested|advisable|preferred} {group|team} {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {solution|service|option|remedy} has a signal {coverage|protection|insurance coverage} {range of|variety of|series of} 280 meters, even if {tourists|travelers|vacationers|visitors} {are in|remain in} {different|various} {corners|edges} of the {exhibition|exhibit|event} hall, they can {hear|listen to} the {tour guide|tourist guide} {clea
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nly}.
{Long|Lengthy} Battery Life and Lightweight: {Considering|Thinking about|Taking into consideration} that the {average|typical|ordinary} {visiting|going to|checking out|seeing} time for {foreign|international} {tourists|travelers|vacationers|visitors} at the Metropolitan {Museum|Gallery} {is about|has to do with} 4 hours, the {equipment|devices|tools} in the {solution|service|option|remedy} {supports|sustains} 12 hours of {continuous|constant|continual} battery life, and is {equipped|geared up|furnished|outfitted} with {a portable|a mobile} charging box, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {quickly|rapidly|swiftly|promptly} {recharge|charge|reenergize} in the {rest|remainder} {area|location}; the {equipment|devices|tools} {weighs|evaluates|considers} less than 100 grams, which is {not difficult|easy|simple|uncomplicated} to {hang around|spend time} the neck or {put in|placed in} the pocket, and it {won't|will not} be tiring after {a whole|an entire} day of {visiting|going to|checking
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|seeing}.
{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|site
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tors}. 1.
{Conclusion|Final thought|Verdict}: {Let|Allow} the "{civilization|world|people|human being} {stories|tales}" of the Metropolitan {Museum|Gallery} be {understandable|reasonable|easy to understand} to every {tourist|traveler|vacatio
r|visitor}.
The {charm|appeal|beauty} of the Metropolitan {Museum|Gallery} {lies|exists} not in "{how many|the number of|the amount of} old {objects|items|things} are {stored|kept|saved}", {but|however|yet} in it being "the crossroads of human {civilization|world|people}" - {Here|Right here|Below}, you can see the {priest|clergyman}'s {coffin|casket} of {ancient|old} Egypt and the Chinese blue and white porcelain {communicating|interacting|connecting} with each other in mid-air, and see European {religious|spiritual} {paintings|paints} and Islamic {carpets|rugs|carpetings} sharing the {same|exact same|very same} {building|structure}. For {foreign|international} {tourists|travelers|vacationers|visitors}, coming {here|right here|below} is {not for|except} "taking {photos|pictures|images} for {posting|publishing|uploading}", {but|however|yet} to {find|discover|locate} {stories|tales} that can touch them {among|amongst} {different|various} {civilizations|worlds|people|h
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ngs}.
Yingmi's Metropolitan {Museum|Gallery} voice-guided {tour|trip|excursion|scenic tour} {solution|service|option|remedy} does not {involve|include|entail} {fancy|elegant|expensive} {functions|features}, {but|however|yet} {rather|instead} {focuses on|concentrates on} "{helping|assisting|aiding} {tourists|travelers|vacationers|visitors} {understand|comprehend|recognize} the {symbols|signs|icons} of {civilization|world|people|human being}, find the key {points|factors} of the {visit|go to|check out|see|browse through}, and {solve|resolve|fix|address} scene {problems|issues|troubles}". It {is like|resembles} a "Know the {culture|society}, {know|understand|recognize} the {tourists|travelers|vacationers|visitors}" {guide|overview}, holding the hand of {foreign|international} {tourists|travelers|vacationers|visitors}, {interpreting|translating|analyzing} hieroglyphics in the Egyptian {exhibition|exhibit|event} hall, {distinguishing|differentiating|identifying} light and {shadow|darkness} {styles|designs} in the European {exhibition|exhibit|event} hall, and {understanding|comprehending|recognizing} porcelain patterns in the {Asian|Oriental|Eastern} {exhibition|exhibit|event} hall, {allowing|enabling|permitting} every {tourist|traveler|vacationer|visitor} to {find|discover|locate} the "{civilization|world|people|human being} {stories|tales}" they can {understand|comprehend|recognize} and {remember|keep in mind|bear in mind} {among|amongst} the {vast|large|huge|substantial
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tion.
{After all|Besides|Nevertheless}, {good|great|excellent} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are not "{instructing|advising} {information|info|details}", {but|however|yet} "{opening|opening up} a door" - What Yingmi did is to {help|assist|aid} {foreign|international} {tourists|travelers|vacationers|visitors} open this door, making the 5,000-year {civilization|world|people|human being} of the Metropolitan {Museum|Gallery} {no longer|no more} be "{ancient|old} {relics|antiques}" that are {distant|far-off|remote}, {but|however|yet} {exciting|interesting|amazing} {things|points} {within reach|accessible|available}.
Latest business news regarding Walking via the Metropolitan Area "People Maze', the audio guide gives precise instructions for site visitors.
In the Egyptian event area of the Metropolitan Museum of Art in New York, German vacationer Anna is standing still before a mummy from the 12th century BC - the label on the display screen only mentions "The Casket of Priest Nebmon", but does not state what type of blessing spells are inscribed on the hieroglyphics on the coffin; in the European paint area next door, Japanese pair is looking at Rembrandt's "The Night Watch", incapable to differentiate the "Baroque-style light and shadow" in the painting from the works of Rubens across the space. The audio guide in the interpreter's voice maintains repeating only "This is Rembrandt's work of art"; even better away in the Asian gallery, Center Eastern tourists are taking pictures of Ming Empire blue and white porcelain with their phones, yet they can't understand the Chinese cultural signs concealed in "Blue and Green Scroll Pattern", and can only sigh at the label "Made during the power of Emperor Xuande of the Ming Empire".
As the "ceiling of the world's galleries" with over 300,000 exhibitions covering 5,000 years of human people, the Metropolitan Gallery gets over 7 million abroad visitors every year. But also for these travelers from afar, visiting the Metropolitan Museum is extra like browsing a "social labyrinth" - social distinctions across worlds, the stress and anxiety of selecting from a large collection of exhibitions, and the experience problems in several situations. Typical directed tours either "talk in a general means without focusing", or "make use of jargon that is incomprehensible", or "lose connection when moving between exhibit halls". Yingmi, a firm with 16 years of experience in the audio guide industry, really did not intend to provide a one-size-fits-all option. Instead, based on the diversity of people, the complexity of the room, and the differences in tourists' requirements, it established a flexible and versatile audio trip option to help international visitors "find, comprehend, and bear in mind" in the vast collection of displays, really understanding the luster of human civilization
. The three "catches" that international site visitors usually come under when visiting the Metropolitan Gallery
The Metropolitan Gallery is not a regular museum - it "steps" Egyptian burial places, European royal residences, hui ma and Oriental gardens into the very same structure, with exhibitions ranging from the 3000 BC Sumerian pottery jars to modern art from the 20th century. The span and variety of the displays are so large that even many regional site visitors typically get shed. After going to, international site visitors often get stuck in three troubles, which can not be resolved by just "publishing more language tags":
1. Cultural distinctions: "Can see the signs, but can't comprehend the tale"
The exhibitions of the Metropolitan Museum have the "codes" of various people: the hieroglyphics on the Egyptian caskets, the patterns on Chinese blue and white porcelain, the geometric patterns on Islamic carpetings, and the symbolic components on European spiritual paints. These icons are often "acquainted however not comprehended" by foreign visitors. Traditional assisted scenic tours either just supply basic details, such as "This is a Qing Empire dragon bathrobe", but do not claim "Five-clawed dragons represent imperial power, and four-clawed dragons are for the aristocracy"; or force the association of travelers with acquainted cultures, such as explaining the geometric patterns on Islamic carpets as "Comparable to European mosaics", which rather misguides the cognition.
Extra problematic is the requirement of tiny language speakers - amongst the overseas visitors of the Metropolitan Gallery, the proportion of non-English and Spanish speakers surpasses 30%. Japanese, Arabic, and German vacationers, commonly doing not have corresponding explanations, can only "presume the tale" in front of the exhibits. A neighborhood New york city travel agency stats shows that yearly, complaints about the audio scenic tour at the Metropolitan Museum make up 65% of the responses from travelers who "could not understand the social icons", and many site visitors just remember "seeing a great deal of old points", however don't understand "what people these points represent".
2. Large collection: "Exhausted from the trip, can't understand the key points" The Metropolitan Gallery has more than 200 permanent exhibit halls.
If each display is seen for 3 mins, it would take 27 years to check out all the collections - international visitors generally have only 3-4 hours for their check out, and they are prone to "choice anxiety": should they first see the Egyptian mummies, or go to the European paint area? Which should they focus on, the Chinese porcelain in the Asian gallery or the Japanese ukiyo-e prints? The typical guided scenic tours either deal "sequential" courses, such as "1st flooring Egyptian gallery → 2nd floor European gallery → 3rd floor Eastern gallery", without recommending based upon the visitors' passions; or they clarify all the displays in each gallery, such as in the European paint location, from the Renaissance to the Impressionism, with excessive information making it challenging to remember, and ending up "exhausted however absolutely nothing bore in mind
More significantly, the rate of interests of various site visitors differ significantly: some visitors come particularly to picture Monet's "Water Lilies", yet are resulted in view half an hour of middle ages shield; some travelers wish to discover ancient Egyptian civilization, yet invest excessive time in the Greek event room.his "consistent explanation" makes it tough for international visitors to "order the bottom lines they want to see" within the restricted tim
3. Complicated scenes ： "Can't listen to, experience gets stu
"
The room scenes of the Metropolitan Museum are extra complex than imagined ： the Egyptian gallery has a dark below ground hall with dark lighting, making the text on the display boards difficult to review ； the floor-to-ceiling glass home windows in the European paint area reflect sunshine, hindering the screen of the guide gadget ； when crossing floorings or exhibition areas, the signal is commonly blocked by thick wall surfaces - after becoming aware of the Egyptian mummies in the 1st flooring gallery, when moving to the 2nd floor European gallery, the guide gadget suddenly ices up, and by the time it resumes, they have missed out on the history introduction of "The Broken Arm Venus" ； in the dark hall, changing the guide tool either causes pressing the wrong button and jumping to the incorrect content, or the display is too dark to see the procedure plainly, also the "time out" requires a long time to {find|discover|l
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These "scene {freezes|ices up}" {directly|straight} {interrupt|disrupt} the {visiting|going to|checking out|seeing} rhythm, {especially|particularly|specifically} for {foreign|international} {visitors|site visitors} {who|that} are {new|brand-new} to the Metropolitan {Museum|Gallery} and {unfamiliar with|not familiar with} the {routes|paths|courses}, {coupled|combined|paired} with an unsmooth {guided|directed|assisted|led} experience, they are {likely|most likely} to {fall into|fall under|come under} a "{tired|exhausted|worn out|weary} and {confused|baffled|overwhelmed}"
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te.
{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|site visit
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II. Yingmi's {Solution|Service|Option|Remedy} ： "Not '{hardly|barely|rarely} {following|complying with|adhering to} {a template|a design template|a theme|a layout}', {but|however|yet} '{adapt|adjust} to the
cene'"
When Yingmi {designed|developed|created|made} the {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {plan for|prepare for} the Metropolitan {Museum|Gallery}, she {didn't|really did not} {start|begin} with {technical|technological} {parameters|specifications|criteria}, {but|however|yet} had the {team|group} {stay|remain|keep} there for {a full|a complete} week - {following|complying with|adhering to} {different|various} {national|nationwide} {tourists|travelers|vacationers|visitors} to {follow|comply with|adhere to} the {routes|paths|courses}, {recording|tape-recording|taping|videotaping} where {visitors|site visitors} {stayed|remained} the {longest|lengthiest} in which {types of|kinds of|sorts of} {exhibits|exhibitions|displays}, in which scenes they were most {confused|baffled|overwhelmed}, and which {civilization|world|people|human being} {symbols|signs|icons} they were most {curious|interested} {about|regarding|concerning}. {Finally|Lastly|Ultimately}, the {plan|strategy} {presented|provided|offered} was all {based on|based upon} these "{real|genuine|actual} {needs|requirements|demands}", without "one-size-fits-all" {equipment|devices|tools} {recommendations|suggestions|referrals}, {only|just} "{tailored|customized} {solutions|services|options|rem
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s}".
1. Collection {selection|choice|option} ： "Not 'cover {everything|whatever|every little thing}', {only|just} '{select|choose|pick} the {key points|bottom
ines}'"
For the "{choice|option|selection} {anxiety|stress and anxiety|anxiousness}" of the {massive|huge|enormous|large|substantial} collection, Yingmi's {plan|strategy} {doesn't|does not} {pursue|go after|seek} "{all-encompassing|all-inclusive|comprehensive} {coverage|protection|insurance coverage}", {but|however|yet} {helps|assists|aids} {tourists|travelers|vacationers|visitors} "{precisely|exactly|specifically} {locate|find|situate} their {interests|rate of interests|passi
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?.
{Personalized|Customized|Individualized} {route|path|course} {recommendations|suggestions|referrals} ： The {plan|strategy} {will|will certainly} {recommend|suggest|advise} {different|various} {routes|paths|courses} {based on|based upon} the {type of|kind of|sort of} {visitor|site visitor} (art {lovers|enthusiasts|fans}, {history|background} {enthusiasts|lovers|fanatics}, {family|household|family members} {tourists|travelers|vacationers|visitors}) - for art {lovers|enthusiasts|fans}, it {recommends|suggests|advises} "European {painting|paint} {area|location} (Monet, Rembrandt) + {modern|contemporary|modern-day} art {area|location} (Picasso)" ； for {history|background} {enthusiasts|lovers|fanatics}, it {recommends|suggests|advises} "Egyptian gallery ({mummies|mommies}, {temple|holy place} {reliefs|alleviations}) + American gallery (Maya {civilization|world|people|human being})" ； for {family|household|family members} {tourists|travelers|vacationers|visitors}, it {recommends|suggests|advises} "{children|kids|youngsters}'s interactive {area|location} + Egyptian gallery ({exhibits|displays|shows} with {strong|solid} {visual|aesthetic} {impact|effect|influence})", each {route|path|course} is {marked|noted} with "{key|essential|crucial|vital} {exhibits|exhibitions|displays} + {recommended|suggested|advised} {stay|remain|keep} time", to {avoid|prevent|stay clear of} {tourists|travelers|vacationers|visitors} "{wasting time|losing time} aimlessly {browsing|searchi
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ng}".
{Key|Secret|Trick} {Exhibits|Exhibitions|Displays} Deep Dive: For the "{treasures|prizes} of the collection" of the Metropolitan {Museum|Gallery} (such as "The Broken Nefertiti", the {Temple|Holy place} of Dendara in Egypt, and the Yongle Imperial {Dictionary|Thesaurus} of China), the {explanation|description} {content|material|web content} {will|will certainly} be {more|much more|a lot more|extra} {in-depth|extensive|thorough|comprehensive}. {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} the {Temple|Holy place} of Dendara, it {will|will certainly} be {said|stated|claimed}, "This is {a gift|a present} from the Egyptian {government|federal government} to the {United States|USA}. It was {originally|initially} {located|situated} {beside|next to|close to} the Nile River and was {moved to|transferred to|relocated to} the Metropolitan {Museum|Gallery} to {avoid|prevent|stay clear of} being {submerged|immersed} by water. The {reliefs|alleviations} in the {temple|holy place} {record|document} the {ancient|old} Egyptian's sacrificial {rituals|routines}." {Instead of|Rather than|As opposed to} {simply|just|merely} {saying|stating|claiming} "This is {an ancient|an old} Egyptian {temple|h
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e}.".
Lightweight {Information|Info|Details} {Presentation|Discussion}: {Avoid|Prevent|Stay clear of} "{information|info|details} {bombardment|barrage}". Each {exhibit|exhibition|display}'s {explanation|description} is {controlled|managed|regulated} within 1-2 {minutes|mins}, {only|just} {focusing on|concentrating on} "{the most|one of the most} core civilizational {values|worths} + {the most|one of the most} {interesting|fascinating|intriguing} {details|information}" - {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} Monet's "Water Lilies", it {will|will certainly} {say|state|claim}, "Monet's eyes were poor in his later years, {but|however|yet} he {used|utilized|made use of} {colors|shades} to {express|reveal|share} the light and {shadow|darkness} of the {pond|fish pond} at {different|various} times. This is {a representative|a depictive} {example|instance} of Impressionism's '{capturing|catching|recording} the {beauty|charm|appeal|elegance} of the {moment|minute}'." {Don't|Do not} {talk|speak|chat} {too much|excessive|way too much} {about|regarding|concerning} art {history|background} {theories|concepts}, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {easily|quickly|conveniently} {grasp|understand|comprehend|realize} the {key points|b
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m lines}.
2. Scene {Adaptation|Adjustment}: "Not '{stacking|piling} {technologies|innovations|modern technologies}', {but|however|yet} '{solving|resolving|fixing|addressing} {problems|issues
roubles}'".
For the {complex|complicated|facility} spatial {scenarios|situations|circumstances} of the Metropolitan {Museum|Gallery}, Yingmi's {solution|service|option|remedy} {focuses on|concentrates on} "{solving|resolving|fixing|addressing} {practical|useful|functional|sensible} experience {problems|issues|troubles}". {Recommended|Suggested|Advised} scenario-based {solutions|services|options|re
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are:.
Dark Hall Scene Optimization: For {replicas|reproductions} of Egyptian {tombs|burial places}, European {medieval|middle ages} {exhibition|exhibit|event} halls, {etc|and so on}, the {recommended|suggested|advised} {explanation|description} {solution|service|option|remedy} is "{automatic|automated} light {sensing|noticing|picking up} +voice control" - The {screen|display} will {automatically|immediately|instantly} {brighten|lighten up} according to the light, the {buttons|switches} {will|will certainly} have a soft backlight, and {tourists|travelers|vacationers|visitors} can {operate|run} without {having to|needing to} stand close; it {also|likewise|additionally} {supports|sustains} voice commands, {for example|for instance|as an example}, "{Explain|Discuss|Describe|Clarify} this {mummy|mommy}", the system will {automatically|immediately|instantly} match the {content|material|web content}, {avoiding|preventing|staying clear of} "{fumbling|stumbling|messing up|screwing up} {in the dark|at night} to {press|push} {buttons|switches}" {in the dark|at night} {ar
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ion}.
Cross-Zone Signal {Stability|Security}: For the many {floors|floorings} and thick {walls|wall surfaces} of the Metropolitan {Museum|Gallery}, {traditional|conventional|standard|typical} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are prone to "{disconnection|interference} {across|throughout} {zones|areas}". The {solution|service|option|remedy} {adopts|embraces|takes on} 4GFSK anti-interference {technology|innovation|modern technology}, {setting|establishing} "signal {transition|shift|change} nodes" {between|in between} {exhibition|exhibit|event} halls, {so that|to ensure that|to make sure that} the signal will {automatically|immediately|instantly} {switch|change|switch over} when {tourists|travelers|vacationers|visitors} {walk|stroll} from the Egyptian {exhibition|exhibit|event} hall to the European {exhibition|exhibit|event} hall, without the {need|requirement|demand} to {manually|by hand} reconnect; for {group|team} {tourists|travelers|vacationers|visitors}, the {recommended|suggested|advisable|preferred} {group|team} {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {solution|service|option|remedy} has a signal {coverage|protection|insurance coverage} {range of|variety of|series of} 280 meters, even if {tourists|travelers|vacationers|visitors} {are in|remain in} {different|various} {corners|edges} of the {exhibition|exhibit|event} hall, they can {hear|listen to} the {tour guide|tourist guide} {clea
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nly}.
{Long|Lengthy} Battery Life and Lightweight: {Considering|Thinking about|Taking into consideration} that the {average|typical|ordinary} {visiting|going to|checking out|seeing} time for {foreign|international} {tourists|travelers|vacationers|visitors} at the Metropolitan {Museum|Gallery} {is about|has to do with} 4 hours, the {equipment|devices|tools} in the {solution|service|option|remedy} {supports|sustains} 12 hours of {continuous|constant|continual} battery life, and is {equipped|geared up|furnished|outfitted} with {a portable|a mobile} charging box, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {quickly|rapidly|swiftly|promptly} {recharge|charge|reenergize} in the {rest|remainder} {area|location}; the {equipment|devices|tools} {weighs|evaluates|considers} less than 100 grams, which is {not difficult|easy|simple|uncomplicated} to {hang around|spend time} the neck or {put in|placed in} the pocket, and it {won't|will not} be tiring after {a whole|an entire} day of {visiting|going to|checking
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|seeing}.
{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|site
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tors}. 1.
{Conclusion|Final thought|Verdict}: {Let|Allow} the "{civilization|world|people|human being} {stories|tales}" of the Metropolitan {Museum|Gallery} be {understandable|reasonable|easy to understand} to every {tourist|traveler|vacatio
r|visitor}.
The {charm|appeal|beauty} of the Metropolitan {Museum|Gallery} {lies|exists} not in "{how many|the number of|the amount of} old {objects|items|things} are {stored|kept|saved}", {but|however|yet} in it being "the crossroads of human {civilization|world|people}" - {Here|Right here|Below}, you can see the {priest|clergyman}'s {coffin|casket} of {ancient|old} Egypt and the Chinese blue and white porcelain {communicating|interacting|connecting} with each other in mid-air, and see European {religious|spiritual} {paintings|paints} and Islamic {carpets|rugs|carpetings} sharing the {same|exact same|very same} {building|structure}. For {foreign|international} {tourists|travelers|vacationers|visitors}, coming {here|right here|below} is {not for|except} "taking {photos|pictures|images} for {posting|publishing|uploading}", {but|however|yet} to {find|discover|locate} {stories|tales} that can touch them {among|amongst} {different|various} {civilizations|worlds|people|h
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ngs}.
Yingmi's Metropolitan {Museum|Gallery} voice-guided {tour|trip|excursion|scenic tour} {solution|service|option|remedy} does not {involve|include|entail} {fancy|elegant|expensive} {functions|features}, {but|however|yet} {rather|instead} {focuses on|concentrates on} "{helping|assisting|aiding} {tourists|travelers|vacationers|visitors} {understand|comprehend|recognize} the {symbols|signs|icons} of {civilization|world|people|human being}, find the key {points|factors} of the {visit|go to|check out|see|browse through}, and {solve|resolve|fix|address} scene {problems|issues|troubles}". It {is like|resembles} a "Know the {culture|society}, {know|understand|recognize} the {tourists|travelers|vacationers|visitors}" {guide|overview}, holding the hand of {foreign|international} {tourists|travelers|vacationers|visitors}, {interpreting|translating|analyzing} hieroglyphics in the Egyptian {exhibition|exhibit|event} hall, {distinguishing|differentiating|identifying} light and {shadow|darkness} {styles|designs} in the European {exhibition|exhibit|event} hall, and {understanding|comprehending|recognizing} porcelain patterns in the {Asian|Oriental|Eastern} {exhibition|exhibit|event} hall, {allowing|enabling|permitting} every {tourist|traveler|vacationer|visitor} to {find|discover|locate} the "{civilization|world|people|human being} {stories|tales}" they can {understand|comprehend|recognize} and {remember|keep in mind|bear in mind} {among|amongst} the {vast|large|huge|substantial
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tion.
{After all|Besides|Nevertheless}, {good|great|excellent} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are not "{instructing|advising} {information|info|details}", {but|however|yet} "{opening|opening up} a door" - What Yingmi did is to {help|assist|aid} {foreign|international} {tourists|travelers|vacationers|visitors} open this door, making the 5,000-year {civilization|world|people|human being} of the Metropolitan {Museum|Gallery} {no longer|no more} be "{ancient|old} {relics|antiques}" that are {distant|far-off|remote}, {but|however|yet} {exciting|interesting|amazing} {things|points} {within reach|accessible|available}.
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